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Poetry, Poems

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Minggu, 29 Juli 2012
Diposting oleh enjoy87 di 06.14 0 komentar

To My Wife

 
I can write no stately proem
As a prelude to my lay;
From a poet to a poem
I would dare to say.
For if of these fallen petals
One to you seem fair,
Love will waft it till it settles
On your hair.
And when wind and winter harden
All the loveless land,
It will whisper of the garden,
You will understand.
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Jumat, 27 Juli 2012
Diposting oleh enjoy87 di 06.07 0 komentar

Poetry: Libertatis Sacra Fames

 
Albeit nurtured in democracy,
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see,
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honour, all things fade,
Save Treason and the dagger of her trade,
Or Murder with his silent bloody feet.


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Rabu, 25 Juli 2012
Diposting oleh enjoy87 di 06.01 0 komentar

Poem: Portia

 
I marvel not Bassanio was so bold
To peril all he had upon the lead,
Or that proud Aragon bent low his head
Or that Morocco's fiery heart grew cold:
For in that gorgeous dress of beaten gold
Which is more golden than the golden sun
No woman Veronese looked upon
Was half so fair as thou whom I behold.
Yet fairer when with wisdom as your shield
The sober-suited lawyer's gown you donned,
And would not let the laws of Venice yield
Antonio's heart to that accursed Jew -
O Portia! take my heart: it is thy due:
I think I will not quarrel with the Bond.

*To Ellen Terry. Written at the Lyceum Theatre*
Poem: Portia
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Senin, 23 Juli 2012
Diposting oleh enjoy87 di 05.52 0 komentar

Poem: Phedre

 

The silent room, the heavy creeping shade,
The dead that travel fast, the opening door,
The murdered brother rising through the floor,
The ghost's white fingers on thy shoulders laid,
And then the lonely duel in the glade,
The broken swords, the stifled scream, the gore,
Thy grand revengeful eyes when all is o'er, -
These things are well enough, - but thou wert made
For more august creation! frenzied Lear
Should at thy bidding wander on the heath
With the shrill fool to mock him, Romeo
For thee should lure his love, and desperate fear
Pluck Richard's recreant dagger from its sheath -
Thou trumpet set for Shakespeare's lips to blow!

*To Sarah Bernhardt*

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Kamis, 19 Juli 2012
Diposting oleh enjoy87 di 09.42 0 komentar

Poem: The Ballad Of Reading Gaol

 
In memoriam of C. T. W.
Sometimes trooper of
The Royal Horse Guards
Obiit H.M. Prison
Reading, Berkshire
July 7th, 1896


He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.
He walked amongst the Trial Men
In a suit of shabby grey;
A cricket cap was on his head,
And his step seemed light and gay;
But I never saw a man who looked
So wistfully at the day.
I never saw a man who looked
With such a wistful eye
Upon that little tent of blue
Which prisoners call the sky,
And at every drifting cloud that went
With sails of silver by.
I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,


Oscar Wilde
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Diposting oleh enjoy87 di 09.36 0 komentar

Poetry, Collection Of Poems

 

Poetry has a continued history, dating aback to the Sumerian Epic of Gilgamesh. Early balladry acquired from folk songs such as the Chinese Shijing, or from a charge to adduce articulate epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to ascertain poetry, such as Aristotle's Poetics, focused on the uses of accent in rhetoric, drama, song and comedy. Later attempts concentrated on appearance such as repetition, ballad anatomy and rhyme, and emphasized the aesthetics which analyze balladry from added objectively-informative, actual forms of writing. From the mid-20th century, balladry has sometimes been added about admired as a axiological artistic act employing language.

Poetry uses forms and conventions to advance cogwheel estimation to words, or to arm-twist affecting responses. Devices such as assonance, alliteration, answer and accent are sometimes acclimated to accomplish agreeable or incantatory effects. The use of ambiguity, symbolism, irony and added stylistic elements of anapestic delivery generally leaves a composition accessible to assorted interpretations. Similarly, metaphor, affinity and adumbration actualize a resonance amid contrarily disparate images—a layering of meanings, basic access ahead not perceived. Kindred forms of resonance may exist, amid alone verses, in their patterns of beat or rhythm.

Some balladry types are specific to accurate cultures and genres and acknowledge to characteristics of the accent in which the artist writes. Readers acclimatized to anecdotic balladry with Dante, Goethe, Mickiewicz and Rumi may anticipate of it as accounting in curve based on beat and approved meter; however, there are traditions, such as Biblical poetry, that use added agency to actualize accent and euphony. Much avant-garde balladry reflects a appraisal of anapestic tradition, arena with and testing, amid added things, the assumption of accord itself, sometimes altogether abnegating beat or set rhythm. In today's more globalized world, poets generally acclimate forms, styles and techniques from assorted cultures and languages.
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  • ▼  2012 (6)
    • ▼  Juli (6)
      • To My Wife
      • Poetry: Libertatis Sacra Fames
      • Poem: Portia
      • Poem: Phedre
      • Poem: The Ballad Of Reading Gaol
      • Poetry, Collection Of Poems
 
 
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